Le Sacre du Printemps (2007)
Please find attached generic sound and light plans. these plans and the technical rider will be adapted depending on the specificities of each space and situation.
The light board should allow to program times and linked cues.
The filters should be provided by the venue.
Please provide one roll of alu tape.
6 d&b E3
4 d&b Q7
2 d&b E12 subwoofers
incl. amps, computers, matrix, cables etc.
The venue should provide an insurance for this material for the duration of our stay.
The venue should provide:
back of the stage: 2 speakers equivalent to E3
Side / front of the audience 2 speakers equivalent to E3
Back of the audience : 2 speakers equivalent to E3
Including controllers, amplifires and cabling
Power requierements dedicate for sound : 32A provovided in 3 separate sockets (PC 16A type)
- The stage should be at the level of the first row of spectators. NO Proscenium or if there is one the situation should be discussed
- black backdrop (see plan)
- when the floor is a clean wooden floor, no dance floor is necessary (when not, black dance floor required).
For the sound matter, the venue should provides a cloackroom for the audiance's goods (coats and bags).
in case of a fix grid, the lights should be hung in advance according to the adapted plan.
morning: set-up light and sound in parallel (3 light technicians + 2 sound technician, depending on the space, 1 to 3 stage technicians)
afternoon: sound (1 sound technician + 1 technician)
evening: focus lights (3 light technicians)
day 2: 9:00-11:00 sound (1 sound technician), 11:00-13:00 light (1 light technician)
evening general rehearsal with full audience
day 3: finitions, rehearsal, performance get out after the last show (3 sound technicians)
- 4 persons travelling with the show
- 3 liters of still mineral water per person and per day
-Sound design : Peter Boehm firstname.lastname@example.org
-Production manager : Illusion Macadam, Vincent Cavaroc & Fanny Herserant:xlr@illusion- macadam.fr